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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% here are only some first lines of sample tunes %%deco fp 6 pf 20 2 5 fp % --- piano --- X:1 T:Song for a guy C:Elton John M:C L:1/8 Q:1/4=128 %%staves {RH LH} K:Gmaj % most of piano tunes have only 2 voices .. V:RH [G,8B,8]|zB, CD- DB,G,2|[F,3B,3][F,A,]- [F,4A,4]|zA, B,C- CB,A,2|A,8| V:LH [G,,3D,3][G,,D,]- [G,,4D,4]|[G,,3D,3][G,,D,]- [G,,4D,4]|[F,,3D,3][F,,D,]- [F,,4D,4]|\ [F,,3D,3][F,,D,]- [F,,4D,4]|[=F,,3C,3][F,,C,]- [F,,4C,4]| %%staves {1 2} % .. even when there are a lot of notes %%staves {RH LH} %%MIDI program 6 % same as bach.abc (abc2ps-1.3.0) but rewritten in a more standard way %%staves {1 (2 3)} % this voice is not complete, but the measure must be respected % --- vocal --- %%staves [(S A) (T B)] % Breton words on a Wales choral % --- organ --- %%staves [1 (2 3) 4] %%MIDI program 53 %%MIDI program 73 %%MIDI program 73 %%MIDI program 73 %%staves {(Pos1 Pos2) Trompette} % %%MIDI program 78 %%MIDI program 78 %%MIDI program 56