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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% here are only some first lines of sample tunes %%deco fp 6 pf 20 2 5 fp % --- piano --- X:1 T:Song for a guy C:Elton John M:C L:1/8 Q:1/4=128 %%staves {RH LH} K:Dmaj % most of piano tunes have only 2 voices .. V:RH [D,8F,8]|zF, G,A,- A,F,D,2|[C,3F,3][C,E,]- [C,4E,4]|zE, F,G,- G,F,E,2|E,8| V:LH [D,,3A,,3][D,,A,,]- [D,,4A,,4]|[D,,3A,,3][D,,A,,]- [D,,4A,,4]|[C,,3A,,3][C,,A,,]- [C,,4A,,4]|\ [C,,3A,,3][C,,A,,]- [C,,4A,,4]|[=C,,3G,,3][C,,G,,]- [C,,4G,,4]| %%staves {1 2} % .. even when there are a lot of notes %%staves {RH LH} %%MIDI program 6 % same as bach.abc (abc2ps-1.3.0) but rewritten in a more standard way %%staves {1 (2 3)} % this voice is not complete, but the measure must be respected % --- vocal --- %%staves [(S A) (T B)] % Breton words on a Wales choral % --- organ --- %%staves [1 (2 3) 4] %%MIDI program 53 %%MIDI program 73 %%MIDI program 73 %%MIDI program 73 %%staves {(Pos1 Pos2) Trompette} % %%MIDI program 78 %%MIDI program 78 %%MIDI program 56