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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% Sample file to test various features of abc2ps % abcm2ps >= 7.6.0 - definition of '...' (ellipsis) for PostScript %%glyph 2026 ellipsis %K:C % abcm2ps: automatic clef processing gives a bass clef % RA Rg MA Mg | .A .g vf/-g/ (u.a/.b/) | uR~M.c2 Hg4 || % abcm2ps: '-' is not a slur %|: [D2FA] ~+d2fa+ | [c2e][df][eg]|\ % abcm2ps: '+' is no more handled % abcm2ps: '\' is no more handled %"Am7"A,CC DFF GBB |\M:4/4\"G"a,2b,2"D"c2d2 ||\L:1/4\\K:Bb\"Eb"e4| %| -"Gb"ede edc | def fed |1 "A"efg "D"gfe | e6 \ % abcm2ps: cannot have '-' before a note X:10 T:Chords with many accidentals M:6/8 K:Gmaj [^C,^D,] [^C,^E,] [^C,^F,] [^C,^G,] [^C,^A,] [^C,^B,] |\ [^C,,^D,,] [^C,,^E,,] [^C,,^F,,] [^C,,^G,,] [^C,,^A,,] [^C,,^B,,] |\ [^C,^D,^E,] [^C,^D,^F,] [^C,^F,^G,] [^C,^F,^A,] [^C,=D,=F,^G,_A,_B,] |] [^C,^F,^A,] [^C,^F,^B,] [^C,^F,^C] [^C,^F,^D] [^C,^F,^E] |\ [^C,^E,^F,] [^C,^F,^G,] [^C,^G,^A,] [^C,^G,^B,] |\ [^C,^D,^C] [^C,^E,^C] [^A,,^E,^C] [^G,,^E,^C] \ [^C,_E,^G,][^C,^F,^G,][^C,^G,^A,][^C,^D,^G,][^G,,^E,^C] ||