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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% Sample file to test various features of abc2ps % abcm2ps >= 7.6.0 - definition of '...' (ellipsis) for PostScript %%glyph 2026 ellipsis %K:C % abcm2ps: automatic clef processing gives a bass clef % RA Rg MA Mg | .A .g vf/-g/ (u.a/.b/) | uR~M.c2 Hg4 || % abcm2ps: '-' is not a slur %|: [D2FA] ~+d2fa+ | [c2e][df][eg]|\ % abcm2ps: '+' is no more handled % abcm2ps: '\' is no more handled %"Am7"A,CC DFF GBB |\M:4/4\"G"a,2b,2"D"c2d2 ||\L:1/4\\K:Bb\"Eb"e4| %| -"Gb"ede edc | def fed |1 "A"efg "D"gfe | e6 \ % abcm2ps: cannot have '-' before a note X:10 T:Chords with many accidentals M:6/8 K:Amaj [^D^E] [^D^^F] [^D^G] [^D^A] [^D^B] [^D^^c] |\ [^D,^E,] [^D,^^F,] [^D,^G,] [^D,^A,] [^D,^B,] [^D,^^C] |\ [^D^E^^F] [^D^E^G] [^D^G^A] [^D^G^B] [^D=E=G^A_B=c] |] [^D^G^B] [^D^G^^c] [^D^G^d] [^D^G^e] [^D^G^^f] |\ [^D^^F^G] [^D^G^A] [^D^A^B] [^D^A^^c] |\ [^D^E^d] [^D^^F^d] [^B,^^F^d] [^A,^^F^d] \ [^D=F^A][^D^G^A][^D^A^B][^D^E^A][^A,^^F^d] ||