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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% here are only some first lines of sample tunes %%deco fp 6 pf 20 2 5 fp % --- piano --- %%staves {RH LH} % most of piano tunes have only 2 voices .. X:2 T:8th Sonata for piano C:L. van Beethoven M:C L:1/16 Q:1/8=66 %%staves {1 2} K:Cm % .. even when there are a lot of notes V:1 !fp![E,,4G,,4C,4]- [E,,3/2G,,3/2C,3/2]!3![G,,/2C,/2]!4![G,,3/2=B,,3/2D,3/2]!5![G,,/2C,/2E,/2] ([=A,,4C,4E,4]!4![=B,,2D,2])z2|\ !fp!!3![=B,,4D,4F,4]- [B,,3/2D,3/2F,3/2][B,,/2D,/2F,/2][B,,3/2D,3/2G,3/2][B,,/2D,/2A,/2] ([B,,4D,4A,4]!3![C,2E,2G,2])z2| V:2 [C,,,4E,,,4G,,,4C,,4]- [C,,,3/2E,,,3/2G,,,3/2C,,3/2]!2!E,,/2!3!D,,3/2!4!C,,/2 (!2!^F,,4G,,2)z _A,,,|\ _A,,4-A,,3/2!2!A,,/2!1!G,,3/2=F,,/2 E,,4-E,,2z3/2 E,,/2| %%staves {RH LH} %%MIDI program 6 % same as bach.abc (abc2ps-1.3.0) but rewritten in a more standard way %%staves {1 (2 3)} % this voice is not complete, but the measure must be respected % --- vocal --- %%staves [(S A) (T B)] % Breton words on a Wales choral % --- organ --- %%staves [1 (2 3) 4] %%MIDI program 53 %%MIDI program 73 %%MIDI program 73 %%MIDI program 73 %%staves {(Pos1 Pos2) Trompette} % %%MIDI program 78 %%MIDI program 78 %%MIDI program 56