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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% here are only some first lines of sample tunes %%deco fp 6 pf 20 2 5 fp % --- piano --- %%staves {RH LH} % most of piano tunes have only 2 voices .. X:2 T:8th Sonata for piano C:L. van Beethoven M:C L:1/16 Q:1/8=66 %%staves {1 2} K:Dm % .. even when there are a lot of notes V:1 !fp![F,,4A,,4D,4]- [F,,3/2A,,3/2D,3/2]!3![A,,/2D,/2]!4![A,,3/2^C,3/2E,3/2]!5![A,,/2D,/2F,/2] ([=B,,4D,4F,4]!4![^C,2E,2])z2|\ !fp!!3![^C,4E,4G,4]- [C,3/2E,3/2G,3/2][C,/2E,/2G,/2][C,3/2E,3/2A,3/2][C,/2E,/2B,/2] ([C,4E,4B,4]!3![D,2F,2A,2])z2| V:2 [D,,,4F,,,4A,,,4D,,4]- [D,,,3/2F,,,3/2A,,,3/2D,,3/2]!2!F,,/2!3!E,,3/2!4!D,,/2 (!2!^G,,4A,,2)z _B,,,|\ _B,,4-B,,3/2!2!B,,/2!1!A,,3/2=G,,/2 F,,4-F,,2z3/2 F,,/2| %%staves {RH LH} %%MIDI program 6 % same as bach.abc (abc2ps-1.3.0) but rewritten in a more standard way %%staves {1 (2 3)} % this voice is not complete, but the measure must be respected % --- vocal --- %%staves [(S A) (T B)] % Breton words on a Wales choral % --- organ --- %%staves [1 (2 3) 4] %%MIDI program 53 %%MIDI program 73 %%MIDI program 73 %%MIDI program 73 %%staves {(Pos1 Pos2) Trompette} % %%MIDI program 78 %%MIDI program 78 %%MIDI program 56