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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
%%textfont Helvetica-Bold 21 %%center Examples for new features in abc2ps-1.2.5 %%textfont * 16 %%center Oct. 5 1997 %%textfont Times-Roman 16 %%freegchord 1 % abcm2ps: don't print 'b' as a flat sign %abcm2ps: don't have a new key signature %K:C alto % text moved out of tune header - change in abcm2ps-7.x.x %%begintext alignHere is an example for a block of text which is associated with a specifictune. It will only be printed if this tune (number 3) is selected.The text should be placed after the "T:" field and before theblock is terminated by a blank line.Text which is outside a block isalways printed; for example, the title at the top of the page.%%endtext %%sep %%text Note: this line and the separator above are also associated with this tune. %%leftmargin 3cm X:5 T:Scotland The Brave T:Demonstrating the Bagpipe Mode and Output Formatting %%titleleft %%titlefont Helvetica-Bold 24 %%subtitlefont Helvetica-Bold 16 %%composerspace 0.4cm %%composerfont Helvetica 13 %%staffwidth 5.5in %%scale 0.75 %%staffsep 55 C:Trad. C:from PS file by Alan S. Watt P:March L:1/8 M:4/4 K:Dmaj E|{G}A,2 {G,DG,E}A,>B, {GCD}C{E}A, {GCD}CE| {AG}A2{G}A2 {G,DG,}AE {GCD}C{E}A,| {G,DC}D2 {G}F>D {GCD}CE {GCD}C{E}A,|{G,DG,}B,2{GEF}E2{A,}E>F {G}E/2>D/2{G}C/2>B,/2| {G}A,2 {G,DG,E}A,>B, {GCD}C{E}A, {GCD}CE| {AG}A2{G}A2 {G,DG,}AE {GCD}C{E}A,| {G,DC}D2 {G}F>D {GCD}CE {GCD}C{E}A,|{G,DG,}B,2{G}A,>B, {G,}A,2 {GCD}CE|| %%vskip 1cm %%textfont Times-Roman 16 %%begintextSummary of changes:- Bass and alto clefs.- Vocals.- In-line info fields can be coded using [...].- Subtitles now printed without "or:".- Can be more than one composer field.- Predefined formats: standard, pretty, pretty2 (flag -p, -P).- Format page layout by .fmt file selected with flag -F.- Format page layout by %%-pseudocomments in abc file.- Other pseudocomments: %%sep, %%vskip, %%newpage.%%endtext