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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
%%textfont Helvetica-Bold 21
%%center Examples for new features in abc2ps-1.2.5
%%textfont * 16
%%center Oct. 5 1997
%%textfont Times-Roman 16
%%freegchord 1 % abcm2ps: don't print 'b' as a flat sign
%abcm2ps: don't have a new key signature
%K:C alto
% text moved out of tune header - change in abcm2ps-7.x.x
%%begintext alignHere is an example for a block of text which is associated with a specifictune. It will only be printed if this tune (number 3) is selected.The text should be placed after the "T:" field and before theblock is terminated by a blank line.Text which is outside a block isalways printed; for example, the title at the top of the page.%%endtext
%%sep
%%text Note: this line and the separator above are also associated with this tune.
%%leftmargin 3cm
X:5
T:Scotland The Brave
T:Demonstrating the Bagpipe Mode and Output Formatting
%%titleleft
%%titlefont Helvetica-Bold 24
%%subtitlefont Helvetica-Bold 16
%%composerspace 0.4cm
%%composerfont Helvetica 13
%%staffwidth 5.5in
%%scale 0.75
%%staffsep 55
C:Trad.
C:from PS file by Alan S. Watt
P:March
L:1/8
M:4/4
K:Emaj
F|{A}B,2 {A,EA,F}B,>C {ADE}D{F}B, {ADE}DF| {BA}B2{A}B2 {A,EA,}BF {ADE}D{F}B,|
{A,ED}E2 {A}G>E {ADE}DF {ADE}D{F}B,|{A,EA,}C2{AFG}F2{B,}F>G {A}F/2>E/2{A}D/2>C/2|
{A}B,2 {A,EA,F}B,>C {ADE}D{F}B, {ADE}DF| {BA}B2{A}B2 {A,EA,}BF {ADE}D{F}B,|
{A,ED}E2 {A}G>E {ADE}DF {ADE}D{F}B,|{A,EA,}C2{A}B,>C {A,}B,2 {ADE}DF||
%%vskip 1cm
%%textfont Times-Roman 16
%%begintextSummary of changes:- Bass and alto clefs.- Vocals.- In-line info fields can be coded using [...].- Subtitles now printed without "or:".- Can be more than one composer field.- Predefined formats: standard, pretty, pretty2 (flag -p, -P).- Format page layout by .fmt file selected with flag -F.- Format page layout by %%-pseudocomments in abc file.- Other pseudocomments: %%sep, %%vskip, %%newpage.%%endtext