ABC(plus) tune page

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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.

Tranposition Options

Special 'one-click transpositions:
None (1 octave down) Cello (2 octaves down) Cello (e.g. Clarinet in) Bb (e.g. Alt Sax in) Eb (e.g. Horn in) F [=selected] (e.g. Euphonium in) Bb, 1 octave down

general transposition:

Viewing score and abc source of 'Kempisch_X91'

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%% partsfont Helvetica 20 box
%%score [ 1 | ( 2 3 ) | 4 | 5 ]
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%%MIDI program 73
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%%score (1|2) 3
%%MIDI program 73
%%MIDI program 73
%%MIDI program 73
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%%MIDI program 74
%%MIDI program 73
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%%MIDI program 73
X:91
T:De straten van Laredo
T:Arr.: Harrie Franken
%%score [ ( 1 2 ) | ( 3 4 ) | 5 | 6 ]
L:1/4
M:3/4
I:linebreak $
K:Dmaj
V:1 clef=treble
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V:2 clef=treble
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V:3 clef=treble transpose=-2
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V:4 clef=treble transpose=-2
%%MIDI program 21
V:5 clef=treble transpose=-14
%%MIDI program 58
V:6 clef=bass transpose=-12
%%MIDI program 43
V:1
 A | A3/2 G/2 F | G A G | F3/2 E/2 D | D A,2 | D3/2 D/2 D | E F G | F E D | E2 A | A3/2 G/2 F | G A G | %11
F3/2 E/2 D | D A,2 | D3/2 D/2 D | E F G | F C C | D3 | E3/2 E/2 E | E F G | A3/2 B/2 A | F E D | %21
E3/2 E/2 E | E F G | A G F | E2 A | A3/2 G/2 F | G A G | F3/2 E/2 D | D A,2 | D3/2 D/2 D | E F G | %31
F C C | D2  Y|]y6 "^Coda" D3/2 D/2 D | E F G | A B c | d2 |] %37
V:2
F | F3/2 E/2 D | E F E | D3/2 A,/2 G, | F,3 | B,3/2 B,/2 B, | G,3 | ^G,3 | A,2 F | F3/2 E/2 D | E F E | %11
D3/2 A,/2 G, | F,3 | B,3/2 B,/2 B, | G, A, B, | A, A, G, | F,3 | G,3/2 G,/2 G, | A, D E | F3/2 G/2 F | D A, F, | %21
G,3/2 G,/2 G, | A, D E | F E D | A,2 F | F3/2 E/2 D | E F E | D3/2 A,/2 G, | F,3 | B,3/2 B,/2 B, | G, A, B, | %31
A, A, G, | F,2 |] B,3/2 B,/2 B, | G, A, B, | C D E | D2 |] %37
V:3
[K:Emaj] B, | E2 E | D2 B, | E2 B, | B,3 | G,3/2 G,/2 G, | C B, C | E2 C | D2 B, | E2 E | D2 B, | E2 B, | %12
B,3 | G,3/2 G,/2 G, | C2 C | B,2 B, | B,3 | A,2 C | B,2 D | E2 G | B,2 G, | C3 | D E F | G F E | D2 E | %25
E2 E | D2 B, | E2 B, | B,3 | G,3/2 G,/2 G, | C B, C | B,2 B, | B,2 |] G,3/2 G,/2 G, | C B, C | D E F | G2 |] %37
V:4
[K:Emaj] B, | E,2 G, | B,3 | G,2 B, | E,3 | G,3/2 G,/2 G, | F,2 F, | F,3 | F,2 B, | E,2 G, | B,3 | G,2 B, | E,3 | %13
G,3/2 G,/2 G, | F,2 F, | B,2 B, | G,3 | A,2 A, | B,2 B, | G,2 E, | E,2 G, | F,3 | B, B, A, | G, F, E, | B,2 x | %25
E,2 G, | B,3 | G,2 B, | E,3 | G,3/2 G,/2 G, | F,2 F, | B,2 B, | G,2 |] G,3/2 G,/2 G, | F,2 F, | B,2 B, | B,2 |] %37
V:5
[K:Emaj] B, | E3 | D B, D | E2 B, | G,3 | C2 C | C B, A, | ^A,3 | B,2 B, | E3 | D B, D | E3/2 B,/2 A, | G,3 | C2 C | %14
A,2 A, | B,2 D | E3 | C2 F | D2 B, | E2 B, | B,2 E | C3 | D3 | E2 E | B, A, G, | G,3/2 A,/2 B, | D B, D | E2 B, | %28
G,3 | C2 C | C B, A, | B, B, D | E2 |] C2 C | B,2 B, | D C B, | E2 |] %37
V:6
[K:Dmaj] z | D,,3 | A,,3 | D,3 | D,,3 | B,,3/2 B,,/2 B,, | E,,2 E,, | E,,3 | A,, G,, E,, | D,,3 | A,,3 | %11
D,2 A,, | D,,3 | B,,3/2 B,,/2 B,, | E,,3 | A,,2 A,, | D,,3 | E,,3 | A,,3 | D,,3 | D,,2 A,, | E,,3 | A,,3 | %23
D,,3 | A,,3 | D,,3 | A,,3 | D,,3 | D,,3 | B,,3/2 B,,/2 B,, | E,,3 | A,,3 | D,,2 |] B,,3/2 B,,/2 B,, | %34
E,,3 | A,,2 A,, | D,,2 |] %37

%%score [ ( 1 2 ) | ( 3 4 ) | 5 | ( 6 7 ) ]
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%%MIDI program 73
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%%MIDI program 43
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%%begintextHet geheel viermaal rond.In de eerste en derde ronde 'D' maar één keer, dus daar meteen onder het 'tweetje'.%%endtext
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