ABC(plus) tune page

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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.

Tranposition Options

Special 'one-click transpositions:
None (1 octave down) Cello (2 octaves down) Cello (e.g. Clarinet in) Bb (e.g. Alt Sax in) Eb [=selected] (e.g. Horn in) F (e.g. Euphonium in) Bb, 1 octave down

general transposition:

Viewing score and abc source of 'Kempisch_X61'

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%% partsfont Helvetica 20 box
%%score [ 1 | ( 2 3 ) | 4 | 5 ]
%%MIDI program 73
%%MIDI program 21
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%%MIDI program 58
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%%score [ 1 | 2 | 3 | 4 ]
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%%MIDI program 58
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X:61
T:61. Potpourri
T:Samenstelling: Harrie v.d. Loop
T:Arr.: Harrie Franken
%%score (1|2) 3
L:1/8
M:2/4
I:linebreak $
K:Amaj
V:1 clef=treble
%%MIDI program 73
V:2 clef=treble
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V:3 clef=bass
%%MIDI program 73
V:1
|:AA/2B/2 cB | A2 E2 | AA/2B/2 cA | B3 z | BB/2c/2 dB | c2 Ac | B2 E2 | A3 z :: $ e2 ee | d2 B2 | ee/2d/2 cd | %11
B3 z | BB/2c/2 dB | c2 Ac | B2 E2 | A3 z :: $EA cA | B2 d/2c/2B/2A/2 | GB EG | A2 c2 | EA cA | %21
B2 d/2c/2B/2A/2 | GB EG | A4 ::$ c2 cc | d2 d>c | BB/2B/2 BA | GA B2 | c2 cc | d2 d>c | BB/2B/2 AG | %31
A2 z2 ::$ ce ee | ce ee | fe dc | d2 B2 | Bd dd | Bd dd | ed cB | c2 A2 ::$ e2 c2 | e3 e | fe dc | %43
B4 | dc BA | G2 f2 |1 ee ed | c4 :|2 ee ee | A3 || A/2B/2 |$ |: ce e>f | ec AA/2B/2 | cc BA | B3 A/2B/2 | %55
ce e>f | ec AA/2B/2 | cc BB |1 A3 A/2B/2 :|2 AA/2A/2 Bc |$|: d2 d2 | f f2 f | ee cA | B3 A/2B/2 | ce e>f | %65
ec AA/2B/2 | cc BB | A4 ::$ A3 A | A2 AA | c3 A | A2 dc | B3 A | G>G FG | A3 A |1 A3 z :|2 A2 AG ||$ %77
F2 A2 | A2 GF | E3 A | C2 FE | D3 C | B,2 ED | C3 D | E2 EE |$ F2 A2 | A2 GF | E3 A | A2 GA | B3 A | %90
G>G FG | A2 c2 | A2 z2 |] %93
V:2
|: CC CD | C2 C2 | CC/2D/2 EE | G3 z | GG/2A/2 BG | A2 EA | G2 ED | C3 z ::
c2 cc | B2 G2 | cc/2B/2 AB | %11
G3 z | GG/2A/2 BG | A2 EA | G2 ED | C3 z :: CE AE | D2 E2 | EG ED | C2 E2 | CE AE | D2 E2 | EG ED | %23
C4 :: A2 AA | F2 F>A | GG/2G/2 GE | EF G2 | A2 AA | F2 F>A | GG/2F/2 ED | C2 z2 :: Ac cc | Ac cc | %34
dc BA | B2 G2 | GB BB | GB BB | cB AG | A2 A2 :: c2 A2 | c3 c | dc BA | G4 | BA GF | E2 d2 |1 %46
cc cB | A4 :|2 cc cc | A3 || A/2G/2 |: Ac c>d | cA EC/2D/2 | EE DE | G3 A/2G/2 | Ac c>d | cA EC/2D/2 | %57
EE DD |1 C3 C/2E/2 :|2 CC/2C/2 DE |: F2 F2 | A A2 A | cc AE | G3 A/2G/2 | Ac c>d | cA EC/2D/2 | EE DD | %67
C4 :: C3 C | C2 CC | E3 C | C2 FE | D3 C | B,>B, A,B, | C3 C |1 C3 z :|2 C2 CE || D2 F2 | F2 ED | %79
C3 C | A,2 DC | B,3 A, | G,2 CB, | A,3 B, | C2 CC | D2 F2 | F2 ED | C3 C | C2 EE | D3 C | B,>B, A,B, | %91
C2 E2 | C2 z2 |] %93
V:3
|:"A"A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|"A"A,,2 A,,2|A,,2 A,,2|"E7"E,,2 E,,2|"A" A,,3z::
"A"A,,2 A,,2|"E"E,,2 E,,2|"A"A,,2 A,,2|"E"E,,2 E,,2|"E"E,,2 E,,2|"A"A,,2 A,,2|"E7"E,,2 E,,2|"A"A,,3 z::
"A"A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|"A"A,,4::
"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|"A"A,,2 A,,2|"D"D,,2 D,,2|"E"E,,2 E,,2|"A" A,,2z2::
"A"A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|E,,2 E,,2|E,,2 E,,2|"A"A,,2 A,,2::
"A"A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|E,,2 E,,2|1 E,,2 E,,2|"A"A,,4:|2 E,,2 E,,2|"A"A,,3||z|
|:"A"A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|1"A"A,,2 A,,2 :|2 "A"A,,2 A,,2|:
"D"D,,2 D,,2|D,,2 D,,2|"A"A,,2 A,,2|"E"E,,2 E,,2|"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|1"A"A,,4 ::
"A"A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|A,,2 A,,2|E,,2 E,,2|E,,2 E,,2|1"A"A,,2 A,,2|2"A"A,,4:|A,,4||
"D"D,,2 D,,2|D,,2 D,,2|"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|"A"A,,2 A,,2|A,,2 A,,2|
"D"D,,2 D,,2|D,,2 D,,2|"A"A,,2 A,,2|A,,2 A,,2|"E"E,,2 E,,2|E,,2 E,,2|"A"A,,2 A,,2|A,,2 z2|]
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%%MIDI program 73
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%%begintextHet geheel viermaal rond.In de eerste en derde ronde 'D' maar één keer, dus daar meteen onder het 'tweetje'.%%endtext
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