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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% sample5.abc - this file is part of abcm2ps %%writefields NF 1 %%infoname F "This file is part of the " X:1 %%titleformat T,TTQ-1C1A1 T:New features in abcm2ps-5.x.x T:Subtitle one T:Subtitle two C:This is the composer field A:This is the Area/Author field N:Here are some notes (N:) N:on two lines M:C L:1/4 Q:"Tempo in the tune header" K:Cmaj Q:"Tempo in the tune body" "C"C,,"Dm G"D,,2"C"C,,"^<- guitar chords between symbols"|\ C,,/4E,,/4G,,/4E,,/4 \ [I:repeat 4 3]C,,/4E,,/4G,,/4E,,/4 "^sequence repeat"C,,/4E,,/4G,,/4E,,/4 C,,/4E,,/4G,,/4E,,/4| "^measure repeat"G,,A,,B,,C,|[I:repeat 1 2]G,,A,,B,,C,|G,,A,,B,,C,|\ G,,2D,2|B,,2D,2|[I:repeat 2]G,,2D,2|B,,2D,2|C,4|| "^tremolo 2 notes"\ z/2 C,,/4!trem1!C,/4 C,,/2!trem1!C,/2 C,,!trem1!C, | C,,2!trem1!C,2 | \ z/2 C,,/4!trem2!C,/4 C,,/2!trem2!C,/2 C,,!trem2!C, | C,,2!trem2!C,2 | "^tremolo 1 note"\ z C,,/4!/!C,/4 C,/4!/!C,,/4 C,,/2!/!C,/2 C,/2!/!C,,/2 | \ z C,,/4!//!C,/4 C,/4!//!C,,/4 C,,/2!//!C,/2 C,/2!//!C,,/2 | z !/!C,,/2 !/!C,/2 !/!C,, !/!C, | !/!C,,2 !/!C,2 | \ z !//!C,,/2 !//!C,/2 !//!C,, !//!C, | !//!C,,2 !//!C,2 || !/!C,,4 | !/!C,4 | !//!C,,4 | !//!C,4 | %%writefields F 0 %%staves {M A1 A2} %%voicescale 0.8 %%staffscale 0.8 %%staves M %%rightmargin 0.5cm %%leftmargin 0.5cm %%staves 1s 3s | {(1 2) 3} %%staffscale 0.8 %%staffscale 0.8 %%clef bass %%staves (1s 2) 3s | {(1 2) 3} %%staves 1s 3s | {(1 2) (3 4)}