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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% tablature examples
% --- diatonic accordion
%%beginps% length x y n accordh - accordion tablature header with 2 or 3 lines/accordh{% /Times-Roman 14 selectfont /nlines exch def .8 SLW gsave 20 add T /w exch def 0 0 M w 0 RL 0 3 M w 0 RL 0 21 M w 0 RL 0 39 M w 0 RL nlines 2 eq{ 0 42 M w 0 RL stroke /barh 42 def 3 7 M (T:) show 3 25 M (P:) show }{ 0 57 M w 0 RL 0 60 M w 0 RL stroke /barh 60 def 3 7 M (B/a:) show 3 25 M (T:) show 3 43 M (P:) show }ifelse grestore}!% string x y n accordn - accordion tablature/accordn{ -18 mul add barh add 3 add M showc}!/accordb{ 0 eq{20 add M 0 barh RL stroke} {pop pop}ifelse pop}!%%endps
%%tablature 70 accordh accordn accordb
X:51
T:Jeune fille de quinze ans (50-51-52)
T:Une fille de rose
N:rev. 01/06/01
R:hanter dro
C:trad
A:Bretagne
O:France
M:3/4
L:1/8
Q:1/4=100
K:Am
%%tablature 90 accordh accordn accordb
|: "Am" ee/2f/2 "Am" ed "Am" c2 | "Am" ed/2c/2 "G" Bd "Am" cA | "Am" ee/2f/2 "Am" ed "Am" c2 |1 "Am" ed/2c/2 "G" BG "Em" E2 :|2 "Am" ed/2c/2 "G" BG "Am" A2 |
w:* * * * * * | * * * 7 8 * * | * * * * * * | * * * 7 6 4'| * * * 7 6 *
w:9 9 8' 9 7' 8 | 9 7' 8 * * 8 7 | 9 9 8' 9 7' 8 | 9 7' 8 * * * | 9 7' 8 * * 7
w:A a * A a A~~a | A a * G g E e | A a * A a A~~a | A a * G g E~~e | A a * G g E~~e |
|: "Am" AA/2B/2 "Am" cd "C" e2 | "G" de/2f/2 "F" af "Am" e2 | "Am" cd/2e/2 "F" fe "G" d2 |1 "G" Bc/2d/2 "Em" cB "Em" cB :|2 "G" Bc/2d/2 "Em" cB "Am" A2 ||
w:* * * * * 7' | 8 7' * * * * | * * * * * 8 | 7 6' 8 6' 7 6' 7 | 7 6' 8 6' 7 *
w:7 7 6' 8 7' * | * * 8' 9' 8' 9 | 8 7' 9 8' 9 * | * * * * * * * | * * * * * 7
w:A a * A a C~c | G g * F f A~a | A a * F f G~g | G g * E e E e | G g * E e A~a |