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I am a keen exponent of the ABC(plus) method of music notation. This section of my website tries to showcaces some of its possibilities.
% tablature examples
% --- diatonic accordion
%%beginps% length x y n accordh - accordion tablature header with 2 or 3 lines/accordh{% /Times-Roman 14 selectfont /nlines exch def .8 SLW gsave 20 add T /w exch def 0 0 M w 0 RL 0 3 M w 0 RL 0 21 M w 0 RL 0 39 M w 0 RL nlines 2 eq{ 0 42 M w 0 RL stroke /barh 42 def 3 7 M (T:) show 3 25 M (P:) show }{ 0 57 M w 0 RL 0 60 M w 0 RL stroke /barh 60 def 3 7 M (B/a:) show 3 25 M (T:) show 3 43 M (P:) show }ifelse grestore}!% string x y n accordn - accordion tablature/accordn{ -18 mul add barh add 3 add M showc}!/accordb{ 0 eq{20 add M 0 barh RL stroke} {pop pop}ifelse pop}!%%endps
%%tablature 70 accordh accordn accordb
X:51
T:Jeune fille de quinze ans (50-51-52)
T:Une fille de rose
N:rev. 01/06/01
R:hanter dro
C:trad
A:Bretagne
O:France
M:3/4
L:1/8
Q:1/4=100
K:F#m
%%tablature 90 accordh accordn accordb
|: "F#m" cc/2d/2 "F#m" cB "F#m" A2 | "F#m" cB/2A/2 "E" GB "F#m" AF | "F#m" cc/2d/2 "F#m" cB "F#m" A2 |1 "F#m" cB/2A/2 "E" GE "C#m" C2 :|2 "F#m" cB/2A/2 "E" GE "F#m" F2 |
w:* * * * * * | * * * 7 8 * * | * * * * * * | * * * 7 6 4'| * * * 7 6 *
w:9 9 8' 9 7' 8 | 9 7' 8 * * 8 7 | 9 9 8' 9 7' 8 | 9 7' 8 * * * | 9 7' 8 * * 7
w:A a * A a A~~a | A a * G g E e | A a * A a A~~a | A a * G g E~~e | A a * G g E~~e |
|: "F#m" FF/2G/2 "F#m" AB "A" c2 | "E" Bc/2d/2 "D" fd "F#m" c2 | "F#m" AB/2c/2 "D" dc "E" B2 |1 "E" GA/2B/2 "C#m" AG "C#m" AG :|2 "E" GA/2B/2 "C#m" AG "F#m" F2 ||
w:* * * * * 7' | 8 7' * * * * | * * * * * 8 | 7 6' 8 6' 7 6' 7 | 7 6' 8 6' 7 *
w:7 7 6' 8 7' * | * * 8' 9' 8' 9 | 8 7' 9 8' 9 * | * * * * * * * | * * * * * 7
w:A a * A a C~c | G g * F f A~a | A a * F f G~g | G g * E e E e | G g * E e A~a |